These are two quite different things, as lovers of arthouse movies and documentaries have always known.Ĭinephiles disappointed with the fake rush and false promise of experimentation provided by streaming fare sought refuge in the pirate-infested torrents of the internet and curated websites such as Mubi India. The chasm between cinema and the theatrical experience widened in other ways. Ironically, a few of 2020’s most absorbing releases were meant to be streamed anyway, reminding us that Bollywood now has a subset of films that can be lucrative without ever reaching the theatres. Their flaws showed up even more intensely in the intimacy of the home, where the fast-forward button could ruthlessly cut short mediocre material. Most of the large-screen productions that swiftly pivoted to streaming were found wanting. Up until March, only a couple of noteworthy films had been released in theatres. What if Covid-19 hadn’t happened at all? The moviegoing experience would have nevertheless been disappointing. Some of the Hindi film industry’s biggest names are now working in the streaming space, finding that their narrative approaches and concerns are better suited to a more personalised medium.
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Meanwhile, movie stars and filmmakers who would never have deigned to be on television added web series to their credits. Actors never usually considered for leading parts were cast in central roles in web series. This year too, the contours of stardom shifted, but in two directions. In the 1990s, the movies responded by mounting spectacles too large to fit into a television set and by bathing actors in an even-brighter glow. Parallel star universes sprung up, populated by actors whose careers flourished even though they were rarely seen in films. In the 1980s, a golden run on Doordarshan coupled with the video cassette boom resulted in audiences having greater choices, both in terms of what they wanted to watch and whom.
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On the plus side, there was an efflorescence of writing and acting talent and an exploration of subjects that often bypass bottomline-conscious Bollywood. This led to overstretched narratives and coddiwomple plotlines. Not all shows were successful, partly because of the imperative to keep churning out more seasons. But just like the avid consumers of news cannot be sated by a subscription to a single newspaper, entertainment fiends realised that it wasn’t enough to sign up to only one streaming service. Scores of web series were rolled out across platforms – far too many for even hardcore watchers.
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